After Effects
For the moments that need to be built: motion graphics, animated text, keyframed transitions and compositing.
Video editor · Lakki Marwat, Pakistan
Your vision.My next frame.
After Effects & CapCut editing, shaped with intention.
Chapter 01The Awakening
Every edit starts as a world waiting to move. Mine are built one deliberate frame at a time.
Chapter 02The Fracture
Every edit begins by taking the frame apart.
Footage, sound, rhythm and type — I separate every layer, study how it moves, then rebuild it so each cut lands with purpose.
- 01
Break it down
Your clips, your references, your idea — understood before anything is cut.
- 02
Rebuild with rhythm
Timing, motion, colour and sound shaped together until the edit feels inevitable.
- 03
Deliver the frame
A finished vertical 9:16 edit, ready to post.
Chapter 03The Liquid Dimension
Two tools. One fluid workflow.
CapCut
For speed and feel: fast vertical cuts, beat-synced pacing, captions and speed ramps made for the feed.
Format 9:16 vertical made for TikTok
Chapter 04The Creative Engine
Selected work
Vertical 9:16 edits, framed the way they're meant to be watched.
FRAME 01 · 9:16
ReservedThe next edit lands here
FRAME 02 · 9:16
ReservedThe next edit lands here
FRAME 03 · 9:16
ReservedThe next edit lands here
The reel is being assembled — new After Effects and CapCut edits are added here as they're finished. Want yours to be one of the first frames?
Chapter 05The Reassembly
The editor behind ASHFALL.
I'm an 18-year-old student from Lakki Marwat, Khyber Pakhtunkhwa, Pakistan — a Pashtoon editor building scroll-stopping vertical edits in After Effects and CapCut.
- Based in
- Lakki Marwat, Pakistan32.61° N · 70.91° E
- Roots
- Pashtoon لکي مروت
- Tools
- After Effects · CapCut
- Inspired by
- Waheed Durrani 302A creator I admire — no affiliation implied.
Start a project
Your vision. My next frame.
Tell me what you're making. Three fields, and it's on its way to me.